Friday, May 31, 2019

Domestic Violence Against Men Essay -- Violence Against Women Essays

The first reaction upon hearing about the topic of battered men, for many people, is that of incredulity. Battered husbands are a topic for jokes (such as the cartoon image of a woman chasing her husband with a rolling-pin). One researcher noted that wives were the perpetrators in 73% of the depictions of domestic help fierceness in newspaper comics (Saenger 1963). Battered husbands have historically been all ignored or subjected to ridicule and abuse. In 18th-century France, a battered husband was made to break off an outlandish outfit and ride backwards around the village on a donkey (Steinmetz & Lucca 1988). Even those of us who like to consider ourselves liberated and open-minded often have a difficult time even imagining that husband battering could take place. Although feminism has opened many of our eyes about the existance of domestic violence, and newspaper reports often include incidents of abuse of wives, the abuse of husbands is a rarely discussed phenomenon. One rea son researchers and others had not chosen to investigate husband battering is because it was thinking to be a fairly rare occurrence. Police reports seemed to bear this out (Steinmetz 1977), with in some cases a ratio of 12 to 14.5 female victims to every mavin male victim. But another reason is that because women were seen as weaker and more helpless than men due to sex roles, and men on the other hand were seen as more sturdy and self-reliant, the study of abused husbands seemed relatively unimportant. Research begins to show the realityIn 1974, a study was done which compared male and female domestic violence. In that study, it was found that 47% of husbands had used physical violence on their wives, and 33% of wives had used violence on their husbands (Gelles 1974). Half of the respondents in this study were selected from either cases of domestic violence reported to the police, or those identified by the social service agency. Also in 1974, a study was released showing that t he number of murders of women by men (17.5% of total homicides) was about the same as the number of murders of men by women (16.4% of total homicides). This study (Curtis 1974), however, showed that men were three times as belike to assault women as vice-versa. These statistics came from police records. The murder statistic was no big news, by the way. In 1958, an investigation of spousal hom... ...and Divorce Today First Large-Scale champaign Reveals Elder Abuse is Primarily by Wives Against Husbands December 15, 1986 Mercy, J.A. & Saltzman, L.E. Fatal violence among spouses in the United States, 1976-85 American Journal of Public Health 79(5) 595-9 May 1989 Nagi, Saad peasant Maltreatment in the United States Columbia University Press, New York, p. 47, 1977 Nisonoff, L. & Bitman, I Spouse Abuse Incidence and Relationship to Selected Demographic Variables Victimology 4, 1979, pp. 131-140 OLeary, K. Daniel Arias, Ilena Rosenbaum, Alan & Barling, Julian Premarital Physical assau lt State University of New York at Stony Brook & Syracuse University Rooke, Margaret Violence in the Home RadioTimes 16-22 March 1991 p. 8. Saenger, G. Male and female relation in the American comic strips in The funnies An American idiom M. White & R.H. Abel editors, The Free Press, Glencoe IL, 1963, p. 219-223 Sexuality Today Newsletter Violence in Adolescent Dating Relationships Common, New resume Reveals December 22, 1986 (reporting on a report in Social Work contact Karen Brockopp) pp 2-3. Statistical Abstract of the United States 1987 table 277

Thursday, May 30, 2019

Genesis, the Education of Abraham Essay -- Holy Bible Genesis Essays

Disillusioned Latin students, who cringe at the thought of repeatedly scribbling their grammar, are often told by their teachers, Per repitio nos studiare, which translates to by repetition we learn. Though this may seem hard to believe as their hands begin to cramp, it bears a certain amount of truth. As my grandfather formerly told me, Experience is often the topper teacher. Truly gaining an fellow feeling of something often comes from repeated involvement. Repetition is also the concept that the Hebrew Creator-God uses throughout the story of Genesis to break Abram about Gods purpose and His nature. God is aware of the doubtful and cynical nature of Abram. Over time, God uses Abrams own repeated mistakes to build a conceptual understanding of Himself for Abram. This model provides Abram with a relevance for God in Abrams own life. Though the classic view depicts the patriarch Abraham as blindly, obedient, there is significant evidence inside the story of Abraham to show that h e was not so naturally submissive. The text often depicts Abram as doubtful, indignant, and sarcastic to a fault. Taking this side of the text in context illustrates Abraham as the antagonist in a battle against God. In this struggle with God, Abraham achieves excellence by learning, through repetition of his own errors and the reinstatement of Gods promise, that it is in his best interest not to fight against his own personal idea of God, but to recognize, respect, and accept the true will of God. The story of Abram begins when, at age 75, he is called by God to leave his home and all that is familiar to him. In return God promises I will make of thee a great nation, and I will bless thee, and make thy name great and thou shall be b... ...ith the Creator-God, but with his misconception of the relationship that must exist between himself and God. Through his repeated disrespect and misapprehend of who God is Abraham learns about his faith, his God, and himself. Although it may see m trivial, there is a legitimacy in asking a Latin student to rewrite a three hundred page grammar book 300 times. The legitimacy lies in the fact the student will learn the Latin, even though he may have a cramped hand. Much like the Latin students, Abraham learns the to recognize respect, and accept the will of God through a repetitious cycle that brings him a cramped ego. sure as shooting he would agree with the Latin scholars when they say Per repitio nos studiare. Work CitedThe Holy Bible, King James Version. Cambridge Edition 1769 King James Bible Online, 2015. Web. 28 June 2015. http//www.kingjamesbibleonline.org/.

Wednesday, May 29, 2019

Patas Monkeys and Company :: essays research papers fc

patas and CompanyA hip, hop, hibbety-hop, another quick jump, and the wee yet very scared (LaRoe 84) monkey had asleep(p) from one tree to the next. With a fuzzy white stomach, small, pointy ears, and a red hat on top of his head, this was a renowned Patas monkey that lived in Kenyas wild coplands. The small monkey, with his big eyes wide open, searched around the neighbhoring trees for some nuts. He stretched his neck out as much as he could to look at every nook and cranny of the trees nearby, until he finally spotted a big juicy red nut (Woodland Zoo 1). His small snout immediately turned into a sort of grin, which the Patas are actually able to do. The little monkey (Clouting 138-139) suddenly got a running pay back from the branch and jumped like a bolt of lightning and hit the next tree. His quickness, jumping from tree to tree was amazing, with his small body and his long gummy like mail and legs (Woodland Zoo 2). After a couple of quick jumps and hops, he had arrived at the tree to be, the one with the big red juicy nut. He quickly grabbed it and jumped. retention the nut in one hand, the little monkey hit the ground and took off running. The sunlight in the Kenya grassland had started to dim, and the little monkey knew he had to get sept before it turned dark and all the bigger and scary animals came out to get their own food. As the little monkey was running, he noticed something in the clear distance. It was big, yellow, and had an uncountable number of black spots on it. Knowing that he would probably mean lunch for this yellow imperil, he little monkey slowed stack to a walk. The sun was seen lessand less by the minute and it was halfway dark already. He had to think of a way around because the yellow menace did not look like it would be moving anywhere anytime soon, or anytime soon enough for the little monkey to get home before it got dark. The grass bushes of the Kenya grassland were very tall, and it was hard for him to see, but the m ade a run for it anyway. Jumping and running as quick as his little feet could carry him, the little Patas monkey tried to run around the danger ahead.

Anatomy of a Research Paper -- essays research papers

Wodge A Definition     "I dont want a smashing wodge of prose, but about double what we have at present." (Ezra Pound, 1913) The word wodge, whose meaning can be surmised from its heavy, lumpish sound, is not particularly common in American usage. It is, however, a wonderful word that ought to be given to a greater extent recognition. It offers a more vivid description than its synonyms, for example, blob, cluster, or clump. A highly descriptive word, wodge is positive from a combination of the words wad and wedge, the sound of which evokes images of weight and sedentariness.     The word wodge has sprung from a combination of two other words, wad and wedge, but is vastly more entertaining than either. A wedge is generally two principal faces of hard material meeting at an acute angle to be used for raising, holding, or splitting an object or also to squish or cram oneself or another object into an ill-fitting space in the manner of a wedge. A wad, on the other hand, is a small lump, mass, ball, roll, or bundle of some matter, usually soft or fibrous, i.e., cotton, wool, straw, cloth, paper, or money. Wodge embodies both of these concepts.      Resting somewhere between wedge, which has a more mathematical, precise, and triangular meaning, and wad, which is crumpled, disorderly, and usually made of paper, wodge seems to be lumpy, u...

Tuesday, May 28, 2019

Samurai in Film :: essays research papers

From Akira Kurosawas 1954 film Seven Samurai, to the recent box office sensation, The Last Samurai, the famed Japanese warrior, the samurai, has been the line of business of hundreds of films. Classically depicted as carrying two swords and sporting a top knot (chonmage), the samurai has been portrayed not only as a warrior and expert swordsman, only when as a man of discipline and principles consistent with the bushido.Samurai films exhibit two basic dramatic styles. The jidai-geki (period drama) which are stories based on characters and how they negotiate a commixture of political, personal and romantic situations and the chanbara (sword fighting films) which are action packed with dramatic sword fighting scenes. Films in the samurai genre which deal with ronin (masterless samurai), demonstrate strong elements of twain styles as exhibited in Akira Kurosawas Seven Samurai (1954) and Yojimbo (1961), as well as the many films about the legendary Musashi Miyamoto.In addition to Se ven Samurai and Yojimbo, Kurosawas samurai classics, The privy fort (1958) and Sanjuro (1963) all star samurai incarnate, actor Toshiro Mifune. While Kurosawas later films, Kagemusha (1980) and Ran (1985), are not based on the samurai, they are set in feudalistic times in which the samurai played a significant role.Kurosawas films greatly influenced the film industry in both Japan and the West however during his life he gained greater notoriety and even support for his motion pictures overseas than he did at home. The Seven Samurai was the basis for American film director washstand Sturges The Magnificent Seven (1960) Yojimbo for A Fist full of Dollars (1964) the first in a series of 3 spaghetti westerns created by Italian film director, Sergio Leone and The Hidden Fortress which influenced George Lucas Star Wars (1977). The parallels between the samurai and cowboy archetypes and the influence one had on the other is as evident in Kurosawas Yojimbo as it is in Clint Eastwoods Unforgiven (1992).During his career, Toshiro Mifune (1920-1997) feature in 134 films and played either a classic samurai or a common man of samurai principles in nearly half of them. Besides his Kurosawa films, Mifune also feature in a number of Hiroshi Inagakis samurai films including the classic, Musashi Miyamoto (1954). His reputation worldwide landed him a number of starring roles in Western productions including the award winning tv set mini-series, Shogun (1980) based on the James Clavell novel.

Samurai in Film :: essays research papers

From Akira Kurosawas 1954 film Seven Samurai, to the recent box office sensation, The Last Samurai, the famed Japanese warrior, the samurai, has been the subject of hundreds of films. classically depicted as carrying two swords and sporting a top knot (chonmage), the samurai has been portrayed not only as a warrior and expert swordsman, but as a man of discipline and principles consistent with the bushido.Samurai films exhibit two basic dramatic styles. The jidai-geki (period drama) which are stories base on characters and how they negotiate a variety of political, face-to-face and romantic situations and the chanbara (sword fighting films) which are action packed with dramatic sword fighting scenes. Films in the samurai genre which deal with ronin (masterless samurai), demonstrate strong elements of both styles as exhibited in Akira Kurosawas Seven Samurai (1954) and Yojimbo (1961), as well as the many films about the legendary Musashi Miyamoto.In addition to Seven Samurai and Yo jimbo, Kurosawas samurai classics, The Hidden apology (1958) and Sanjuro (1963) all star samurai incarnate, actor Toshiro Mifune. While Kurosawas later films, Kagemusha (1980) and Ran (1985), are not based on the samurai, they are set in feudal clock in which the samurai played a significant role.Kurosawas films greatly influenced the film industry in both Japan and the West however during his career he gained greater notoriety and even support for his motion pictures overseas than he did at home. The Seven Samurai was the basis for American film director John Sturges The glorious Seven (1960) Yojimbo for A Fist full of Dollars (1964) the first in a series of 3 spaghetti westerns created by Italian film director, Sergio Leone and The Hidden Fortress which influenced George Lucas wind Wars (1977). The parallels between the samurai and cowboy archetypes and the influence one had on the other is as evident in Kurosawas Yojimbo as it is in Clint Eastwoods Unforgiven (1992).During his career, Toshiro Mifune (1920-1997) starred in 134 films and played either a classic samurai or a common man of samurai principles in nearly half of them. Besides his Kurosawa films, Mifune also starred in a number of Hiroshi Inagakis samurai films including the classic, Musashi Miyamoto (1954). His reputation worldwide landed him a number of starring roles in Western productions including the award winning television mini-series, Shogun (1980) based on the James Clavell novel.